Panasonic has released a firmware update for the DMC-G1 digital camera. Version 1.2 promises to improve color reproduction and the performance of Auto White Balance. It also enables writing files from PCs to the camera for models shipped in Europe. Furthermore, with the latest update, the built-in flash operates better in low temperatures.

Not so seriously is a look back on the days leading up to this new chapter in all our lives.

Damn that Biden and his tunas on rye.

Well that's great that my luggage is in Washington.
Maybe you can call them and tell them to inaugurate
our first black quilted leather rollaway suitcase as president!

Focus, you goofy bastard!

the Obamas got the hell out of there while the gettin' was good.

on what they thought was an 18th century piece of playground equipment.

Obama: (laughing) Dude, please.

of the repeal of "Don't ask, Don't tell."

the first assassination attempt on Obama by a giant.

in one place for one purpose without everyone hurting each other.

Photo credits: Reuters, Associated Press, Getty Images

Source: www.livingroom.org.au]]> http://sspick.com/nikon-unveil-new-coolpix-range/1256/feed 0 http://sspick.com/nikon-unveils-coolpix-p90-24x-superzoom/1252 http://sspick.com/nikon-unveils-coolpix-p90-24x-superzoom/1252#comments Mon, 09 Feb 2009 16:02:25 +0000 admin http://sspick.com/nikon-unveils-coolpix-p90-24x-superzoom/1252

Pre-PMA 2009: Nikon has unveiled the Coolpix P90 superzoom with 24x optical zoom. With 26mm - 624mm (35mm equiv.) zoom range this superzoom camera sports a 12.1 MP sensor, 3.0 inch tilting LCD and includes manual and auto features such as Scene Auto Selector, Smile Mode, Blink warning and P/A/S/M exposure modes. In addition, continuous shooting mode can deliver 45 images at 15 fps, with images being recorded before pressing the shutter button.

Press Release:

Nikon introduces 24x zoom compact camera

Nikon UK is proud to announce the P90 compact camera that boasts an impressive 24x wide angle optical zoom. Its high-performance super-telephoto zoom, wide-angle capabilities and other powerful features are combined in an easy-to-use camera, making it ideal for users looking for the famous Nikon quality, in a camera that’s compact and portable.

Mark Pekelharing, Product Manager Consumer Products at Nikon Europe B.V: “This camera demonstrates Nikon’s devotion to camera enthusiasts. The amazingly powerful 24x zoom, 3.0-inch LCD screen with vari-angle tilt function, vibration reduction, and high sensitivity make the P90 a no-compromise bridge between a compact camera and a D-SLR.”  

Features to write home about
The P90 has an immensely powerful 24x optical zoom that offers the 35mm-equivalent of a 26mm wide-angle to a 624mm telephoto and is capable of shooting pictures as close up as 1cm. High-speed continuous shooting up to 45 shots at 15 fps means it is an ideal camera for sports photography and can even record images before you’ve pressed the button. Add to this its 12.1 effective megapixels and sensitivity up to ISO 6400, and it is clear why it excels in almost any shooting situation. Users can set it to full automatic or various manual settings using the camera’s four exposure modes (PSAM) and compose their ideal picture using the electronic viewfinder. The camera offers many other Nikon-quality features such as four Anti-blur technologies, Auto Scene and Face Priority AF, recognising up to twelve faces. It also includes the latest features, such as Smile Mode and Blink Warning, Nikon’s proprietary D-Lighting for optimising contrast and Quick Retouch. The camera can also record movies, including time-lapse movies and its 3-inch vari-angle LCD screen makes taking pictures easy even in challenging situations.

The P90 comes supplied with a USB cable, audio/video cable, strap and a software suite for COOLPIX CD-ROM. It will be available in Black All Nikon cameras come with 2GB free online image storage at Nikon’s my Picturetown service on mypicturetown.com.

Lens reviews on DPReview are one year old today, and we're celebrating this auspicious anniversary with appropriate aplomb. Our 25th review features the Canon EF 50mm F1.8 II, a bargain offering that sells for less than $100, yet features an optical design refined over decades of service as the standard lens supplied with 35mm film SLRs. So how does it measure up against F1.4 lenses costing three times as much?

We're also taking this opportunity to publish our studio test data for Nikon's equivalent lens, the AF-Nikkor 50mm 1:1.8D on the D300 and D3. You can view this in the lens widget by clicking here; a full review will follow... sometime.

In his most recent volume of photographs, Mostly People published by Perceval Press, American photographer Robert Whitman, shows that not only does he possess that ability, he also understands the importance of environment in portraiture. Yet his skills as a photographer, as the title of this volume suggests, don't end with his ability to bring people and their surroundings to life; he is equally capable of letting us see meaning in the rust stains of a swimming pool as he is the frown lines of a brow furrowed in concentration.

Ask anyone who has ever attempted to take a picture of a loved one, or who has ever posed for their picture, about the process and you're almost bound to hear a variation of one of two complaints: that doesn't look like them/me, or I/they aren't photogenic. Sure all the bits and pieces that make up the subject are contained within the frame and are all in the right place, but somehow or other nothing that you or they do can make your pictures look like them.

Every holiday season it's the same thing; collections of photos filled with people who look vaguely familiar sitting on the family couch. Taking pictures of people so that we are able to see them is a skill that seems to escape most of us.

Where most of us fail is by attempting to capture an accurate representation of a person in an atmosphere devoid of life or activity. Unless we have trained to work in front of a camera, standing still, or posing, leaves the majority of us incredibly self-conscious and awkward. Without the focus that an environment can give - even if its something as simple as waiting in the lobby of a theatre for a play or movie to begin - the subject of a photograph appears lifeless or artificial. Yet the instant we liberate them from the shackles of posing and photograph them candidly, they miraculously turn into living breathing souls.