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Archive for October, 2008

Photographers have paid tribute to Dick Merrill, the co-inventor of the Foveon X3 imaging sensor who has died after a long illness.

Merrill, who was not yet 60, co-invented the technology in the United States alongside Dick Lyon.

A Sigma Imaging (UK) spokesman today told : ‘Dick Merrill was instrumental in bringing the concept of the X3 sensor to fruition… He leaves behind a highly accomplished team of engineers at Foveon who will continue to develop his innovative ideas. Our thoughts are with his friends and family at this time.’

Launched in 2002 the Foveon X3 direct image sensor first appeared in Sigma’s 10.2-million-pixel SD9 digital SLR.

The silicon in the X3 sensor filters different light wavelengths using a three-layer system similar to that used in colour film.

A 14.1MP-version of the sensor is used in Sigma’s current SD14 DSLR and DP1 high-end compact camera.

The technology will also be incorporated into the SD15 and DP2 cameras, which are due out next year. We are also expecting a ‘DP3′ model to include a Foveon sensor at a date yet to be announced.

Polaroid’s 4.5MP X530 compact also featured a Foveon X3 sensor.

Paying tribute to his friend, Laurence Matson wrote in an online blog: ‘Dick was a warm and wonderful person and someone who took great pleasure in his passion and the photographic images it provided. In many ways he was the spirit within FoveonВ…’

The sensor’s pixels are able to record red, blue and green light individually. Light passes through a series of three layers in the silicon, covering each pixel to record different levels of intensity from each of the three colours.

At its launch, its developers hailed the ability of each pixel to transmit three times the amount of information of a normal CCD or CMOS senor by using three photo sensors instead of one.

In 2005, the technology earned Foveon the Royal Photographic Society’s Progress Medal.

To read more tributes visit http://theonlinephotographer.typepad.com/the_online_photographer/2008/10/richard-b-merri.html

To see how the BBC reported the invention in February 2002 visit http://news.bbc.co.uk/1/hi/sci/tech/1842673.stm

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Creators of the ‘black silicon’ that has been much discussed, following an article in the New York Times, have said it’s too early to discuss what their material’s benefits might be for digital photography. The novel, doped silicon technology holds out the promise of increased sensitivity but is still in development by SiOnyx, a Harvard University spin-off.

The company holds the rights to develop and commercialize a silicon doping technology that research has suggested absorbs light (including in the infrared region of the spectrum that can be detrimental in conventional photography), more readily than conventional silicon chips. Although initially believed to be a result of the conical structure formed when lasers impregnate the surface of the silicon with sulfur compounds, the company now believes it’s these compounds’ effect on the electronic behavior of this surface layer that is more significant. The company’s patents are not restricted to the use of Sulfur however, and cover the doping technique itself.


By: www.dpreview.com

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Last August, Adobe released the second incarnation of their photography workflow product Adobe Photoshop Lightroom 2 to rave reviews. As is to be expected, Martin Evening has updated his bestselling book The Adobe Photoshop Lightroom Book to enhance his existing material as well as to reflect all of the changes to Lightroom 2.

The Adobe Photoshop Lightroom 2 Book: The Complete Guide for Photographers has been significantly updated and, as with the prior version, it was written with photographers in mind, addressing Lightroom's features from a professional photographer's perspective. This version is 624 pages in length (a whopping 272 additional pages of material) and contains 11 chapters (encompassed in 5 additional chapters).

Chapter 1, "Introducing Adobe Photoshop Lightroom," begins by describing exactly what Lightroom is, and where it fits in within your image processing workflow. Lightroom is a high quality image processer and photographic image database management system rolled into one. In this chapter you will learn about installing Lightroom as well as all about working with the Lightroom interface. Chapter 2, "Importing Photos," explains that because Lightroom is a catalog management system for your images, the first step is that you need to import images. Next you will learn about all of the options that are available to you such as converting images to Digital Negatives (DNG), using Adobe Bridge as a front end, and how imported images are organized.

Chapter 3, "Navigating the Library Module," now begins the journey into working with the various Lightroom modules beginning with the Library. This first look at the library module examines how you to use it to navigate the photos in your catalog. You will also see what tools you have available to refine your image selections. Chapter 4, "Managing Photos in the Library Module," shows you how to organize and catalog your images. Then you will see how it provides a flexible system of file management so that you can really work with your images through file naming, custom metadata, and adding keywords so that you can optimize your searching capabilities.

Chapter 5, "Working with Catalogs," examines how to work with the catalog system in Lightroom. The catalog plays a central role in Lightroom in that it keeps track of where all of your images are located as well as the information that is stored with your photos. Chapter 6, "Develop Module Image Editing," explains how to use one of the most powerful features of Lightroom, the develop module. It is this image processing module that records the changes that you want to make to an image. It stores these changes within the system, but it waits until you actually export an image before it applies the changes.

Chapter 7, "The Art of Black and White," now takes a look at how to transform your images into Black and White. Here you will learn the three main ways to convert an image as well as how not to convert your image to Black and White. You will also see specialized techniques such as creating a Black and White infrared look. Chapter 8, "Sharpening and Nose Reduction," takes on the topics of capture sharpening and noise reduction. This chapter emphasizes that importance of cleaning up an image early on, and what it takes to get that pre-sharpening done without introducing artifacts.


From: feeds.blogcritics.org

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Leibovitz shoots Lavazza calendar

Saturday, October 25th, 2008

Famed photographer Annie Leibovitz was hired to shoot the 2009 Lavazza calendar which has been unveiled today. Copies of the ‘limited-edition’ calendar will be given away as competition prizes in a future issue of (AP).

Leibovitz was commissioned to create six images exploring ‘the Italian espresso experience’ and to reflect Italy’s ‘influence on art, cinema, history and culture’.

Leibovitz said: ‘The Lavazza calendar has a rich and varied tradition and is an ideal opportunity to use your imagination. The creative concept I wanted to express is clearly evident in the production process and in the various paths which have all led to the creation of these iconic images.’

The limited-edition calendar is not available in the shops. But Lavazza is giving 10 away to AP readers. For details of how you can win one look out for upcoming issues of AP, in shops every Tuesday.

Picture credits: Annie Leibovitz

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AF-S NIKKOR 50mm f/1.4G

Thursday, October 23rd, 2008

The AF-S NIKKOR 50mm f/1.4G is a new Nikon standard prime lens. Helping to celebrate 75 years and 45 million lenses, the Nikon 50mm f/1.4 includes an ultra-compact Silent Wave Motor to ensure fast, whisper-quiet operation, ultra-fast f/1.4 maximum aperture and the ability to focus as close as 1.5 feet. The Silent Wave Motor also enables autofocus in cameras without a built-in motor such as the Nikon D40 and Nikon D60. The AF-S NIKKOR 50mm f/1.4G lens will be available at the beginning of December 2008 for $439.95.

Nikon USA Press Release

Nikon CELEBRATES THE 75TH ANNIVERSARY OF NIKKOR optical EXCELLENCE WITH an all-new 50mm f/1.4 PRIME LENS

75 Years Later and 45 Million Lenses Produced, the NIKKOR Pedigree Continues to Thrive with the Introduction of the AF-S NIKKOR 50mm f/1.4G Lens

MELVILLE, N.Y. (Sep 22, 2008) – Nikon Inc. celebrates 75 years of defining optical excellence with the release of the newly engineered AF-S NIKKOR 50mm f/1.4 prime lens that is considered by many photographers to be an essential tool with a focal length that closely replicates the visual perspective of the human eye when used with an FX-format D-SLR.  Nikon’s optical expertise and modern technological advances, such as the Silent Wave Motor, help to deliver outstanding operation that is critical for Nikon FX and DX-format photographers who demand the pinnacle of photographic performance.

Ideal for travel, event, environmental and general photography in a wide variety of conditions, the new AF-S 50mm f/1.4 lens combines a superb optical formula with an ultra-fast f/1.4 maximum aperture, making it destined to become an instant classic in this digital age.  This compact lens continues the tradition of NIKKOR precision optics to provide photographers with sharp, high-resolution images and the ability to focus as close as 1.5 feet for added versatility.  The integration of an ultra-compact Silent Wave Motor ensures fast, whisper-quiet operation. 

“The traditional 50mm lens has been a mainstay of photography for generations and deserves a place in every enthusiast and professional’s camera system.  Experienced photographers have always appreciated the incredible image fidelity and low-light ability that a precisely engineered 50mm lens can deliver,” said Edward Fasano, general manager for marketing, SLR Systems Products at Nikon Inc.  “In addition, seasoned shooters often prefer the photographic discipline imposed by the use of prime lenses.  Now, a new generation of photographers is discovering the freedom of capturing images that would be impossible with anything but an ultra-fast-aperture lens.  Our 75 years of high-performance optical experience and stringent quality standards have won the hearts of photographers around the world, as Nikon is also celebrating 45 million NIKKOR lenses produced.  In fact, five million of these lenses were produced in the last year alone, further reinforcing our contemporary leadership in the digital SLR market.”

Thanks to the maximum aperture of f/1.4 and newly refined optical performance, the AF-S NIKKOR 50mm f/1.4G teams perfectly with the low noise at high ISO sensitivity performance of Nikon D-SLRs such as the D3 and new D700 cameras.  When used on a Nikon DX-format digital SLR camera, the new AF-S NIKKOR 50mm f/1.4G provides an ideal portrait picture angle, approximating that of a 75mm lens in use on a FX-format D-SLR or 35mm SLR camera.

A newly developed optical formula effectively corrects sagittal coma flare and coma aberration, delivering astonishing image quality and allowing more users to realize their creative vision with vivid clarity.  Instances of lens flare and chromatic aberration are further suppressed through the use of Nikon’s exclusive Super Integrated Coatings, which also help ensure vividly accurate color balance.  The rounded diaphragm opening combined with the nine-blade aperture contributes to a substantially more natural appearance of out-of-focus background elements.

The AF-S NIKKOR 50mm f/1.4G lens is scheduled to be available at Nikon authorized dealers beginning December 2008 at an estimated selling price of $439.95.* For more information, please visit http://www.nikonusa.com.

Specifications

Format
35mm

Focal length
50 mm

Max/min aperture
f/1.4-16

Lens construction
8 elements in 7 groups

Picture angle
46° (31°30’ with Nikon DX format)

Minimum focus distance
0.45 m

Max. reproduction ratio
0.15x

No. diaphragm blades
9 (rounded)

Focusing
Autofocus with built-in SWM and manual focus

Filter/attachment size
58 mm

Diameter x length
Approx. П†73.5 x 54.2 mm

Weight
Approx. 290 g

About the NIKKOR brand
With a full family of FX and DX-format lenses and focal lengths, from the ultra-wide 10.5mm fisheye to the super-telephoto 600mm VR, NIKKOR customers have come to rely upon Nikon’s optical superiority and the support of NIKKOR core technologies, of which the new 50mm is a prime example.  NIKKOR is the brand name for Nikon’s photographic lenses, which was created by adding an “R” to “NIKKO”, an abbreviation of Nippon Kogaku K.K., the original company name of Nikon Corporation at the time of its founding.  In 1933, Nikon marketed its first camera lens under the NIKKOR brand name, the “Aero-NIKKOR” for aerial photography applications.  Since then, NIKKOR has been used as a brand name for Nikon’s lenses that symbolizes durability, high image quality and optical excellence.

About Nikon
Nikon, At the Heart of the Imageв„ў. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIXВ® compact digital cameras; COOLSCANВ® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. Nikon Corporation, the parent company of Nikon Inc., recently celebrated its 75th anniversary of NIKKOR optics and the 60th anniversary of Nikon cameras. For more information, dial (800) NIKON-US or visit http://www.nikonusa.com, which links all levels of photographers to the Web’s most comprehensive photo learning and sharing communities.


Via: feeds.feedburner.com

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Adobe Photoshop CS4 now available

Thursday, October 23rd, 2008

Adobe has announced the availability of Photoshop Creative Suite 4. Priced at US$699, the CS4 version features a unified tabbed interface, enhanced color correction and non-destructive editing tools. To speed up operations, it features OpenGL support and 64-bit support (although only for Windows users). Along with Photoshop CS4, Adobe has also announced the availability of the entire Creative Suite 4 product family.

 


By: www.dpreview.com

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My Girls

Wednesday, October 22nd, 2008


Canada. Taken by Kerry

Source: planetearthdailyphoto.blogspot.com

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Camera production soars 28%

Monday, October 20th, 2008

SLR camera production jumped 27.7% in Japan during the first eight months of 2008 compared to the year before.

Almost 6m interchangeable lens SLRs left Japanese factories from January-August 2008, representing a 32.6% rise in value terms.

Shipments to Europe shot up by 22.5%, while the number of SLRs bound for Asia grew 43.5%, according to figures released by Japan’s Camera & Imaging Products Association.

Compact camera shipments saw a similar rise, increasing by 26.7% globally.

The number of compacts shipped to Europe grew 22%, while 34.1% more units were sent to Asia than in 2007.

Total compact camera production increased 23.2% in volume but, in revenue terms, this only marked a 12.9% rise.

Meanwhile, the average price of a digital compact camera in Japan fell 9.1% in the year to August, according to figures reported by Japanese trade publication .

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Around 13,000 digital cameras and camcorders are due to be sold off alongside other photographic equipment in an online auction of Vivitar gear starting on 14 October.

The cameras, described as ‘brand new and boxed’, are part of the assets of Vivitar UK, which closed after the firm’s European base ceased trading.

Though the Vivitar brand name has been sold to Sakar International, the US electronics firm did not buy Vivitar’s stock or physical assets.

Last month we reported that Vivitar’s offices had closed with the loss of 26 staff В– including 14 in the UK В– as the firm, known as Vivitar SA France, ceased trading.

The firm went into administration owing more than £4m to creditors.

Vivitar was set up in 1938.

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Seven Year Itch

Friday, October 17th, 2008


“A rocker about to scratch his balls… Amsterdam“. Taken by Roy del Vecchio

Source: planetearthdailyphoto.blogspot.com

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