Kodak EasyShare V550 review
Sunday, January 6th, 2008Kodak EasyShare V550 digital camera review : Now that Kodak stopped manufacturing digital SLR cameras, the entire series of digital cameras consists of EasyShare digital camera models. EasyShare does exactly what the name tells you: easy sharing of pictures. Core of the system is the docking station. You place the camera in the station and pushing the button once sends your photos to email, hard drive or printer. It works as simple as it sounds. Kodak also maintains and enhances the user-friendliness in the EasyShare digital cameras. This is entirely conform the American company’s policy: “You push the button, we do the rest”. Within the EasyShare series, Kodak distinguishes some series, depending on the target group. The top model of the pocket series is the Kodak EasyShare V550. It is a beautifully designed camera aiming at people who love to carry their camera around with them, so the model shouldn’t be too bulky and heavy. The concept seems to be strong as iron.
Kodak V550 – Large LCD monitor
The Kodak EasyShare V550 digital camera is almost similar to the somewhat cheaper V530 camera. The main difference is the monitor on the back of the camera. The Kodak EasyShare V550 features a monitor of an enormous 2.5-inch size and an internal memory double the size of the one on the V530. Such a large monitor is often found on compact cameras nowadays and I can only cheer about that. Five Megapixels and a 3x optical zoom (36-105mm equivalent of a 35mm camera), make the EasyShare V550 a versatile digital camera that can be used for many occasions. The EasyShare docking station is standard delivered with the V-550, making it a piece of cake to share the captured pictures with family or friends or archiving the photos. Simple scene programme modes offer simple operation of the Kodak V550. According to Kodak, photographing should just be fun, without having to deal with too much technical stuff.
Kodak EasyShare V550 – Designed for women
The Kodak V550’s trendy appearance is thrown into the competition with lifestyle cameras from brands like Sony, Nikon and Canon, among other ones. It definitely isn’t an easy task to stay in the race. But if you have a close look at the EasyShare V550 you will soon get attracted to its beautiful appearance. Kodak is aiming their V550 principally at women. Their policy is that the camera should be like the perfect classy black dress, suitable for every occasion. Together with the EasyShare system Kodak holds a strong trump in their hands to be able to win customers over. The Kodak Easy-Share V550 is delivered completely with docking station and bag. Our experiences with the camera and the EasyShare system can be read in the Kodak EasyShare V550 review.

Source: www.letsgodigital.org


PhotographyBLOG reviews the Pentax Optio Z10 and writes, “The Pentax Optio Z10’s image quality is below average. The camera’s main drawback is noisy images, with the relatively slow speed of ISO 200 showing some noise and blurring of detail. The noise gets progressively worse as you go from ISO 400 to ISO 800 and finally to the completely unusable 1600 and 3200 settings. The Pentax Optio Z10 handled chromatic aberrations quite well with limited purple fringing effects appearing only in high contrast situations.”
Fisheye lens with close up ability designed exclusively for use with APS-C size digital SLR cameras
Photoxels review the Nikon Coolpix P5100 where they write – ‘The Nikon Coolpix P5100 gives the photographer a quiet feeling of confidence that it can handle any photographic challenge. It will appeal to the serious amateur photographer desiring a compact and light digital camera with an effective image stabilization and full control over camera operations…. The Nikon Coolpix P5100 strikes a good balance between ease of use and richness of features: it is point-and-shoot easy to use and also packed-full of practical features advanced photographers like to have in their digital cameras.’
Imaging Resource reviews the Canon PowerShot SD870 IS Digital ELPH and writes – “The Canon SD870 continues with the features that made the PowerShot SD800 a great camera: an excellent 28mm wide-angle lens, Face-detection autofocus, optical image stabilization, plenty of scene modes, and a few important tweaks to the overall operation of the camera. Even movie mode benefits from the wide-angle view, making personal up-close family videos quite easy and fun. The SD870’s 8-megapixel sensor delivers resolution capable of delivering good quality 11×14-inch prints up to ISO 400, an impressive feat indeed. Canon has increased the size of the LCD but removed the optical viewfinder; optical viewfinders being something of a joke on most digital cameras with extraordinary optics, most users won’t miss it. The 3-inch LCD more than makes up for the lack of a viewfinder, and works well in bright sunlight. At 195 grams (6.9 oz), the Canon SD870 IS can fit in almost any pocket, and uses a battery that can take a pretty decent number of photos. It’s a lot of camera fit into a small package, and I think it’s a great fit for the experienced digital camera user who needs a reliable, take-anywhere shooter that shows off its photos well. And I can’t emphasize enough how great it is to have a 28mm wide angle lens in such a small package.”
DP Review has reviewed the Panasonic DMC-FZ18 and gives it a rating of ‘recommended’. They conclude – ‘If you can live with the compromises that such a camera inevitably comes with (and you mainly shoot in daylight), you will get a lot out of using it, even if it’s your first ’serious’ camera. On this basis we think it’s safe to say that the FZ18 – which is certainly the best of the ‘really big’ zoom cameras we’ve tried so far – easily offers enough to earn a Recommended rating, even if overall the IQ doesn’t rate our highest honor.’
Imaging Resource reviews the Sony Cyber-shot DSC-S700 and writes – ‘Sony’s S700 doesn’t share many of the whiz-bang features of its W-Series, T-Series, and H-Series cousins like Face Detection or a Bionz processor. But its above average performance powered by AA batteries in an ultra-compact body make it an intriguing alternative. Unfortunately that above average performance doesn’t extend to image quality. Although I found the color natural, chromatic aberration was disturbingly noticeable in rather ordinary snapshots, and noise suppression too often changed the character of simple objects, even at the lowest ISO settings.’
CNET reviews the Fujifilm FinePix Z5fd and writes – ‘Though its photos can be pretty good, the Z5fd performs inconsistently. On one hand, I see no lens distortion or focus problems, nary a compression artifact and only the occasional case of purple fringing. Photos look relatively sharp and white balance reasonably neutral. If you want that typical vivid snapshot appearance, you’ll have to switch into Chrome (as in slide film) color mode, because the standard mode looks a little flat relative to most point-and-shoot models.’